Search / steve hart

The Destruction of the Kelly gang (from The Australasian Sketcher, 17 July 1880), 1880

Purchased 2017

Pro Hart & Associates, 2004

Collection: National Portrait Gallery
Gift of the artist 2004

Pro Hart, Broken Hill, NSW, 2004

Collection: National Portrait Gallery
Gift of the artist 2005

Little family, 2019

William Robertson junior, c. 1857

Collection: National Portrait Gallery
Purchased 2017

Cameron and the prosthetic arm, 2016

Steve Kilbey, 1981 (printed 2018)

Purchased with funds provided by Wayne Williams 2018

Steve Waugh, 2001

Collection: National Portrait Gallery
Gift of the artist 2002

Steve Irwin, 2005

Collection: National Portrait Gallery
Gift of the artist 2006

Music for the Soul, 2006

Crikey!

Robin Sellick captured a rare moment of quietude from the late conservation star Steve Irwin.

Steph and Steve, 2012

Gulgawarnigu

In partnership with Big hART we are proud to present Gulgawarnigu - Thinking of something, someone, a national presentation of digital artworks created from Ngarluma country leramagadu (Roebourne), in the Pilbara region of Western Australia.

The Bushranger Tragedy (from The Australasian Sketcher, 23 November 1878), 1878

Purchased 2003

Portrait 22

This issue of Portrait Magazine features Frank Packer, unconventional portraits of Prime Ministers, Glenn McGrath, Sam Haskins, Steve Irwin and more.

The outlaws coolly disported themselves

'Each man arrayed himself in a new rig from head to foot, and even such luxuries as soaps and perfumery were not despised'

Ned Kelly death mask, date unknown

Collection: National Portrait Gallery Study Collection, Canberra
Gift of John Molony 2018

Runners, 2010

Sumbawa Pride - Life on a Boat With Eleven Kids, 2018

Tim Flannery

Recorded 2016

Richard and Pat

Partners in sparkle

Grant (No. 3 of Robert, Lindy, Grant)

Young Mo (Roy Rene), 1977

Gift of Richard Wherrett 1998. Donated through the Australian Government's Cultural Gifts Program.

Myles Nelson

It was definitely a candid encounter as was the expression on the face. It was constructed insofar as the image was deliberately taken from a distance so as to minimize intrusion and to magnify the effect of the image.

Noah Taylor, 1994 (printed 2010)

Collection: National Portrait Gallery
Gift of the artist 2010

Beyond the Self

This exhibition examines the representation of the self in current South and Southeast Asian art practice through the work of artists from India, Indonesia, Malaysia, Pakistan, Philippines and Thailand

Oz Indie

It was the era of recording your favourite songs directly from the radio; of seeing the latest acts and clips on Countdown; and when the Aussie bands you saw on TV and heard in the charts were the ones you could see live at the pub.

Banksia and grevillea

Portraits can render honour to remarkable men and women, but there are other ways.

Paul Grabowsky, 2009

Commissioned with funds provided by Patrick Corrigan AM 2009

Paul Grabowsky, 2009

Commissioned with funds provided by Patrick Corrigan AM 2009

Supporters

Pin-ups

Christopher Chapman describes the art and life of Australian artist Richard Larter.

Sideshow Alley

Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.

Arianne McNaught

I think the most important thing in capturing candid shots is to never take the photo when people are expecting you to press the shutter. The more poignant moments are not the stock standard images of people looking at the camera smiling but after or before when they are really interacting with each other.

Tim Fairfax, 2018

Commissioned with funds provided by The Calvert-Jones Foundation 2018

Jacki Weaver, 2018

Commissioned with funds provided by Marilyn Darling AC 2018

Australian of the Year

The Australian of the Year Awards have often provoked controversy about who is selected and whether their achievements are remarkable.

Feel the music

Dr Christopher Chapman discusses the portrait of Australian composer Paul Grabowsky by photographer Martin Philbey.

Masters of Fare

Masters of fare: chefs, winemakers, providores celebrates men and women who have championed the unique culinary characteristics and produce of Australia, enriching our lives with new ideas and new flavours over the past forty years.

Of human clay

The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.

Anthony Anderton

An interview with the photographer.

Pretty in peach

Big it up

Former National Portrait Gallery Curator Magda Keaney was a member of the selection panel of the Schwepes Photographic Portrait Prize 2004 at the National Portrait Gallery London.

Arianne McNaught

An interview with the photographer.

Hema Upadhyay

Hema Upadhyay was born in Baroda in 1972 and moved to in Mumbai in 1998. Incorporating painting, installation, sculpture and printmaking, Upadhyay’s work often addresses issues related to migration, especially the experiences of those living in urban communities.

The news from Washington

Australia's former Cultural Attache to the USA, Ron Ramsey, describes the mood at the opening week of the revitalised American National Portrait Gallery.

Enigma

Grace Carroll contemplates the curious case of Christian Waller.

Wunderkind lost

Inga Walton on the brief but brilliant life of Hugh Ramsay.

An actress and her fans

Dr. Sarah Engledow discovers the amazing life of Ms. Hilda Spong, little remembered star of the stage, who was captured in a portrait by Tom Roberts.

Lucy Culliton

Most well-regarded pictures of chickens show them dead. A reliable way to tell if a chicken in a painting is dead is to check if it’s hanging upside down, because unlike, say, cockatoos, chickens don’t practise inversion for enjoyment in life.

Portrait Donors